Last year I went trippy over Jersey’s psychedelic issue celebrating 1960s Popular Culture. Well, times change. To be precise, they change to the 1970s. That’s how time works. Welcome to Jersey’s 1970s Popular Culture issue! Continue reading
So I look away for one moment and suddenly everyone is putting fondue on their stamps. And by ‘everyone’ I mean mostly Switzerland, but also Jersey.
Switzerland can be forgiven. Fondue as a mainstream dish is a surprisingly recent development in cuisine, but it’s theirs, and it’s a thing of national pride. Back in the 1930s, sitting around dipping stale bread into a pot of melted cheese must have been a fun way to pass a cold Alpine evening while discussing in four languages how the nearby rise of fascism left you feeling completely neutral. Continue reading
Clearly the ‘vintage commercial design’ thing must be making big bucks for Australia Post, because AP have gone back to the well, or in this case, the jam tin, once more. I’m not judging. I’ve made my love of the retro vein pretty clear in the past.
About a month ago (when I was a tad too busy to blog about it), Aussie Post released this lovely set featuring jam labels from ye olden days, depicting a diversity in development, location and the companies involved.
What arrests my attention in this set is the bold use of perspective. Those jam tins sit right fat in the viewer’s face, threatening to burst off the stamp and cover us in their delicious, fruity goodness. It’s a fantastic way to pay tribute to the colour and vibrancy of the original designers’ work.
What’s your favourite? For mine, it’d a close-run thing between the Melray and the Peacock’s. I’d probably have to go with the Peacock’s, partly because I love apricot jam, but mainly because “Peacock’s”. For more details on the specifics of each label, you can hit up the Australia Post Collectables website.
Given recent form, I can only assume Aussie Post is going to keep churning out vintage shit on its stamps. What do you reckon will be next? My money is on biscuit tins.
Now if you don’t mind, I’m off to the kitchen. For some reason I have a massive craving for toast.
© Philatelic product images remain the copyright of issuing postal administrations and successor authorities
Jersey is one of those funny little islands in the English Channel that are closer to France, and part of the UK, but get to put out their own stamps.
Interestingly, this practice began during the Nazi occupation of those islands, when they were cut off from the mother country. This is just one of the reasons why nerds who are into postal history find them so delectable. (If you think you might be one of those nerds, you should check out the Channel Islands Specialists’ Society.)
I’m not one of those nerds, but I do like how these islands churn out pretty stamps, because, let’s face it, what else have they got going on? I mean apart from tax avoidance schemes.
Recently Jersey jumped on the retro stamp bandwagon with a 1960s Popular Culture issue.
I love the Hendrix-inspired psychedelic guitar player with his groovy vibes and his remarkable fused fingers on his strumming hand.
The models (or are they just ’60s housewives?) on the fashion stamp take me back to a childhood spent rifling through Grandma’s sewing pattern magazines.
And it eludes me why more stamp administrations don’t honour the cheese and pineapple stick on their postal stamps. Continue reading
(And yay to you if you know which film lent me that headline.)
I’m excited today, and not because I’ve been snorting lines of this coffee-scented stamp from India. It’s a big day. I’m launching a new tag on this blog.
I get very easily excited.
As the use of snail mail for letter post continues to fall off a cliff, postal authorities around the world look more and more to stamp collectors to fluff up their bottom line. Thus opens a new and technologically marvellous chapter in an old book: that of the novelty stamp. Continue reading
Was this the most adorable stamp issue of 2015?
Apparently on November 24, Traditional Japanese Food Day is a thing, and this issue depicted a variety of family favourites served up at the kitchen table. You have to love it. YOU HAVE TO.
Because, as if these morsels of tempura and egg custard aren’t delicious enough already, the design features an added twist that makes this particular Japanese issue the Japanesiest of them all. Can you spot it?