One of my favourite Aussie issues of recent times was 2017’s Street Art – vibrant, modern, urban and startlingly different from the usual stamp fodder. Not surprisingly, those stunning works were a big hit on my Instagram page. They’re very like-able.
I’m a month late with this update but I still wanted to say how much I loved seeing Australia Post continue the theme with May’s Silo Art issue. Silo art is the rural equivalent of street art, except that it’s painted on grain silos, and it is, as a rule, fucking ENORMOUS. Continue reading →
Once again I find myself buried beneath an avalanche of boringwork and sadly the blog has gone a bit quiet. But as soon as I caught a chromey whiff of this issue from Australia, I knew I would have to tell you about it. I give you: Street Art.
Smacking my lips at this issue from AustraliaPost.Rare Beauties, they’re calling them. They’re all gemstones from the collection of the Australian Museum in Sydney, and what a stunning tribute to the lapidary’s art they are.
The golden sapphire and pink diamond are used in jewellery. The fluorite and rhodonite aren’t, but that’s OK, you can still buy them for me. I simply adore that rich red in the rhodonite.
The photography of the stones is stunning to start with, but the ‘shadow’ across the geometric background adds a 3-D feel that really makes them pop right out of the stamp.
Y’know what I like about this set the most? The simplicity. When stamp issuers start eyeing off gemstones, for some reason there’s a compulsion to show them in the context of the geological environment in which they are found, or in fugly uncut form (everything is fugly when uncut, amiright ladies), or in the context of an end product like jewellery or industrial product. But there’s no fucking about with this issue. You want gemstones? Fine. Here are some fat fucking gemstones. Straya!
Helloooo! Sorry it’s been a while since my last post. I’m going to make up for my stony silence with loads of pretty pictures, inspired by Australia’s Nostalgic Fruit Label stamps, over which I’ve been soiling myself since their release in June.
They celebrate the paper labels that used to be slapped onto the wooden fruit crates in the olden days before Styrofoam boxes.
What I love about these stamps is that they retain the microscopic details of the original labels. I wonder how many of the three people still using stamps will take a moment to appreciate the artist’s work seen, for example, on this River’s Pride label, and take in the fenceposts, the orchard and the veining on the half-peeled orange.
If you, like me, are a little fascinated by oldey-timey culture, it’s not out of the question that something would appeal to you about both these designs and also ye olde schoole world of stamp collecting. You may have been given the impression that it involves a lot of old stamps with kings and queens and presidents on them that cost a lot of money. Well, I have good news. There are no rules. We collect whatever the fuck we want. And one could do worse than start with collecting vintage graphic designs on stamps, because it’s so hot right now. Continue reading →
Hello readers! No, I’m not dead. As my laborious day-job contract draws to a close, I’ll pick up where I left off and get back to slagging off stamps and stamp collectors. Only, I can’t right now, because some of Australia Post’s current and soon-to-come issues have me absolutely purring…
Aussie Post has touched me in the special spot with this tribute to the art of commercial neon. Not only do I love neon art – especially retro-style – but when I was a child, the long drive home from my grandparents’ house was often briefly illuminated by a swing past Melbourne’s Skipping Girl Vinegar sign. I still love catching sight of her jumping her rope, this much-loved icon adored by all despite the fact that she’s a monstrous zombie child with glowing alien eyes and vinegar for blood. Continue reading →