Last year I went trippy over Jersey’s psychedelic issue celebrating 1960s Popular Culture. Well, times change. To be precise, they change to the 1970s. That’s how time works. Welcome to Jersey’s 1970s Popular Culture issue!
One of these stamps featured in my recent post about the strange preponderance of fondue on stamps lately. (I’ll give you a hint: it’s the one with the people eating fondue on it.) The stamps follow the same six themes: fashion, food, language, events, music and leisure.
I was too young to take in the 1970s as the tail end of them happened around me, and I’ve gotta be honest, it’s never been a decade that held much retro appeal to me (outside their contribution to the ongoing development of David Bowie, of course). I mean, look at those flares! And that green. Ugh!
But I do love the riotous colours on the rollerskating stamp. (Not so sold on rollerskating itself, I have the X-rays of my shattered radius to prove it.)
And I’m sure there were probably bigger ‘events’ in the 1970s than the arrival of home video recording, but I reckon I can see what happened here: Jersey Post got to the 1970s and realised they really should have had a ‘technology’ stamp. Either that, or they took a look at the 1970s as a whole and concluded, as I did before them, that the 1970s were a bit shit. Still, those curved stripes… I can’t find an exact correlation, but they take me back to the kinds of animations I was watching as a kid during the era. Sesame Street’s Pinball Number Count, anyone? And again, those colours! I think my dad’s shirts of the era were made out of this video tape.
As with the previous sets in this series, the 1970s Popular Culture issue includes a scene depicting Street Life of the 1970s. Do not adjust your screen. It seems that life in Jersey in the seventies was very, er, pink.
But of this set, how could this not be my favourite stamp? It doesn’t really say an awful lot about the Punk movement (I admit, another worthwhile contribution from the 1970s). It could symbolise angry seamstresses. Which leaves only one other possible option. It is clearly a tribute to the one other great moment of the 1970s: the birth of the Punk Philatelist. They even used the same queen that I use in my imagery! Thanks guys. And if you think this doozie isn’t going to show up on a regular basis in my social media, you’d be very wrong.
I’ve only just learned that this is merely the third of a 5-part series. (I totally missed the 1950s series.) Needless to say, as a child who became fully aware of the world on the cusp of the 80s and 90s, I am already VERY excited for the next two installments.
Can you dig this issue, or is it too heavy for you? Drop a comment below! Share this post on your socials! And meet me on Facebook, Twitter, and Instagram! x
© Philatelic product images remain the copyright of issuing postal administrations and successor authorities
What’s your favourite? For mine, it’d a close-run thing between the Melray and the Peacock’s. I’d probably have to go with the Peacock’s, partly because I love apricot jam, but mainly because “Peacock’s”. For more details on the specifics of each label, you can hit up the 
Jersey is one of those funny little islands in the English Channel that are closer to France, and part of the UK, but get to put out their own stamps.
Interestingly, this practice began during the Nazi occupation of those islands, when they were cut off from the mother country. This is just one of the reasons why nerds who are into postal history find them so delectable. (If you think you might be one of those nerds, you should check out the 
Recently Jersey jumped on the retro stamp bandwagon with a 
(And yay to you if you know which film lent me that headline.)
The photography of the stones is stunning to start with, but the ‘shadow’ across the geometric background adds a 3-D feel that really makes them pop right out of the stamp.